The Tenderloin
The tenderloin area of San Francisco is not a nice place to be, and for this, you don’t often hear about it unless you’ve experienced it, or you’re being warned to stay away.
It’s not a large area; a triangular-shaped piece of land that runs behind Market street to Leavenworth. It’s the dirtiest type of ghetto; not even the grime is fresh. An inescapable, sour odor is present throughout the entire district, like week-old garbage. Last week’s newspaper tumbles aimlessly down the road, caught in a California breeze. A man who has been homeless long enough to resemble the building he lays against slowly reaches for the paper, buying himself a few minutes of amusement. I feel no pity for him; I’ve been hustling here for a long time. If you’re homeless and starving in the City, then you’re doing something wrong.
Or you don’t want to get caught by the wrong people.
Adult stores are adjacent to dingy, pay-by-the-hour motels. I always imagined this made it easy for the prostitutes to make money. People would leave the adult stores looking for a quick fix, the prostitutes who looked the best and charged the least didn’t have far to take their customers. Yet, four blocks up the road, there’s a large, gated park that comes to life with the sounds of excited, happy children. If you focus on the children, you’re won’t see the crack-addicted single mothers who come here looking for a fix. Nor will you see the toothless homeless men who act as middlemen for the crackheads.
But if you focus on the children, and the four-story Virgin Megastore down the block at the corner of Powell Street, this can almost be a happy place. If you know everyone, you’re fine. I used to come up here once a month, pick up my monthly allotment of food stamps, and unload them just as quickly. Sometimes I would enforce for the homeless, collecting outstanding debts.
Ironically, across the street from an adult bookstore and equally adult movie theater is a police station. It may as well not even be there.
It’s morning, thirteen years ago. I’m staying at one of these hourly motels, courtesy of the City. I attend school once a week and work nights as a security officer at the local Carl’s Jr. (referred to as Hardees in the Midwest). This morning, I’ve been up all night; as the sun rises, I want is sleep. At this point, my parents and I are not on speaking terms.
These are Busterwolf’s humble beginnings; I’m untested, inexperienced, and only my associations with the right people keep the killers from coming after me. Although Daune, my friend and mentor, often tells me; I will be tested soon enough. At this point, I’m foolish enough to look forward to it.
I enter the Aranda motel. The Iranian immigrant who knows just enough English to collect rent nods, grunting as I pass the bulletproof glass he lives behind. This place has been robbed four times and three people have been killed in the very spot he stands. I don’t blame him, but secretly, I wonder if the glass is enough.
The elevator is one of those ancient ones, where you have to jerk open the heavy iron accordion-gate and then watch your surroundings as the elevator struggles to raise you, shaking and shuddering every step of the way. I take the stairs. It’s only three floors. I need the cardio.
I use the common bathroom at the end of the hall (these rooms don’t have bathrooms) and then ignore my loud, angry neighbors as I make my way to my room. Sleep comes quickly, but two hours later, I’m roused just as suddenly.
What happens next, I will never forget.
A girl is screaming. Not the playful, happy screaming that comes from being with ones friends or even the uncomfortable scream that comes only when one is unsure what else to do. No, this is a scream for help, echoing from the depths of her soul, without the slightest hint of playfulness. This girl is screaming for her life.
Instantaneously awake (you learn not to sleep hard in unfamiliar surroundings) I go to the window right of my bed and hoist it up. There is a young girl barreling around the corner, from the right. I remember thinking that she was way too young for me to think she was so pretty. She could’ve been Native American; tan with long black hair that went to about her elbows. She was dressed in tight pink pants, and it was hampering her ability to run. Still, that wasn’t stopping her from trying. She was fading fast; screaming and the too-tight pants were taking their toll. That’s the youngest hooker I’ve ever seen.
A gaudy pink Cadillac that could’ve been stolen from Prince’s lot also barrels audibly around the corner. It cuts her off, tearing up its underside as it plows its way onto the sidewalk and ramming into the dilapidated chain-link fence. A-Pimp-Named-Slickback’s dark side, looking like an extra from a seventies blaxploitation film, angrily gets out of the car even as the girl presses up against the fence, her hands raised with her elbows tucked to her ribs. The scream has become a squeal. I can’t understand what the pimp is saying, but I’m sure it’s about money. I can’t stop watching.
He grabs her by the hair, leaning in close, shaking firmly; he owns her. I can’t hear it, but I can read the body language. Her face is shining, she’s crying so hard. With her face raised to the sun, I finally see how young she is; can’t be older than twelve. What is this guy doing with her?
My arm hurts and I don’t know why. I realize that I’m clenching a fist, squeezing so tightly that my muscles are strained. Fuck this, I’m going down there—
He pulls something from his pocket, something black and reflective. He steps away from her, presses it to her head, and with a deafening boom the entire city can hear, something wet blows out of the back of the girls head, and she falls limp to the ground.
It’s as though I took a punch; I fall back to the floor and land hard, and I know I’m saying ohGodohGodohGod over and over again, but I can’t stop myself. I don’t know what I’m thinking, nor feeling. I’ve never seen anyone murdered before. She’s dead. She was there screaming just a minute ago and now she’s dead, it was a gun, he had a gun and he killed her—
I don’t know how long I sat there. When I returned to the window, she hadn’t moved. I was hoping she would. But she just lay there as if sleeping, feet outstretched onto the sidewalk, palms up, head listed to the side, the chain link fence now a deep red.
Hours later, the Tenderloin has come to life. People walk past her as though she’s not even there. It’s not the first dead girl they’ve seen. It won’t be the last.
When I compose myself, I’m able to go down and look. I can’t take my eyes from her, and she would’ve been beautiful had she reached adulthood. I wonder if I should’ve done something. Could I have done anything? I thought I could. I know now that I couldn’t have.
I’m sorry.
Daune is the only person I tell this to. He advises me to keep my mouth shut. First rule of the street; mind your own business.
The tenderloin area of San Francisco is not a nice place to be, and for this, you don’t often hear about it unless you’ve experienced it, or you’re being warned to stay away.
Or you don’t want to get caught by the wrong people.
(c) Avery K. Tingle for Akting Out LLC
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